Three years ago, we built eoFlix with a simple belief: independent films deserve a better chance to be discovered, screened, distributed, and monetized worldwide.
What followed gave us something even more valuable than technology—it gave us clarity.
Over the last three years, we worked with 400+ festivals, screened 30,000+ films, and supported 200,000+ filmmakers across 170 countries. We listened closely. We watched how festivals operated behind the scenes. We saw how much of the industry still depended on fragmented tools, spreadsheets, manual follow-up, and disconnected workflows.
And we saw something we could not ignore:
So many great films built momentum at festivals, won recognition, touched audiences, and then slowed down because the infrastructure around them was not built to carry that momentum forward.
That truth shaped us.
It made us realize that if we really wanted to help independent films go further, we could not only focus on what happens after a film is selected. We also had to solve the operational problems at the beginning of the journey.
That is why CineLot was born
CineLot was built from real-world feedback, real workflow pain, and years of data collected through eoFlix. It is our answer to a problem we saw again and again: festivals doing too much with too little support, across too many disconnected systems.
Most festivals are still stitching together submissions, spreadsheets, ticketing, and screening tools. CineLot brings that into one workflow—helping festival teams operate with less friction, less manual work, and more control.
Because festivals are often where a film first gains momentum. And we believe the infrastructure should help carry that momentum forward.
So for us, this has never been about launching tools for the sake of technology. It has always been about building stronger infrastructure for independent film—infrastructure that solves real problems in the real world.
CineLot starts the journey. eoFlix extends it. Entertainment Oxygen connects it.
For festivals
CineLot is a festival operating system that brings submissions, judging, programming, and screenings into one platform and connects selected films to distribution through eoFlix, extending their life beyond the festival.
For filmmakers
CineLot gives filmmakers a simpler path from submission to screening and extends their film's life with ongoing visibility and distribution opportunities. Filmmakers submit their films once, and selected films are prepared for screening without repeated uploads or file transfers.
For eoFlix
eoFlix extends the life of independent films beyond festivals—a secure distribution and streaming platform that turns festival selections into ongoing audience reach and monetization, powered by a continuous pipeline from CineLot.
For Entertainment Oxygen
Entertainment Oxygen connects the full path from festival exposure to screening, audience reach, and long-term distribution.
About Entertainment Oxygen
Entertainment Oxygen is building the infrastructure for independent film—connecting festival submission, screening, distribution, and audience growth into one continuous lifecycle. Through CineLot and eoFlix, films will not end at festivals. They continue to reach audiences and create value over time.