Submissions
Open your call, organize entries and keep filmmaker information ready for review.
Film festival management
Manage submissions, judging, programming, ticketing and screenings in one connected workflow — with your film and festival information carried forward at every stage.

The five stages
Each stage inherits what the last one produced. A selected film arrives in programming already carrying its runtime, materials and credits.
Open your call, organize entries and keep filmmaker information ready for review.
Assign reviewers, manage evaluations and move strong films toward selection.
Turn selections into screening blocks, schedules and event programming.
Create ticket options, sell access and manage attendees.
Run live, virtual or hybrid experiences from the same workflow.
Why connected matters
Festival teams move from submissions to judging, programming, ticketing and screenings without rebuilding the same information in disconnected tools.

Live, virtual, hybrid
The same program can run in the room, online, or both — configured on the event, not rebuilt as a separate festival.
Scheduled in-person experiences with venue, capacity and check-in.
Online access to selected programming with viewing windows.
Physical and online experiences inside one festival edition.
Screening schedules, territories and attendee viewing windows.
Proof
Four tools became one. The part I did not expect was how much less explaining I have to do to my own team.
Programming used to start with re-typing everything judging had already decided.
Pricing
Submissions, judging, programming, ticketing and screenings are one platform, not five line items. Final commercial terms are confirmed on the pricing page.
Values pending product and finance confirmation. Layout is ready for them.
Submissions, judging, programming, ticketing and screenings stay on one film record.
Open your workspace and keep every stage connected from the first submission.